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[personal profile] armistice_day
I've been posting a poem a day in my journal during April for a few years now. This year will be the first in this journal, though I will be cross-posting. This year there's a bit of a bittersweet feeling about the whole enterprise, what with the very recent passing of Adrienne Rich. So much has been said about her, and her poetry. I can only say that she shaped not only my idea of what poetry was, but of how I experienced poetry-- how I wrote it thought it and spoke it and lived it.

The moment of change is the only poem.- Adrienne Rich

...

W.H. Auden is always a feature of this month for me, something I always post. He's one of my very favorite poets. Someone, along with Adrienne Rich, I consider to be one of "my" poets. I think they'd both find that idea pretty amusing, for various reasons.

They are very different (couldn't be more-so, really) Rich and Yeats. Different poets, different people. Still, when I think of Rich's passing, it's Auden's tribute to Yeats that comes to mind.

...

I

He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.


II

You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.



III

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

- In Memory of W.B. Yeats, W.H. Auden


...

Follow, poet.

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